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Darkness
It was all silence. It seemed like some frozen, never-ending moment.
Her hand reached out into the darkness, searching. Searching for
something to touch, searching for something to hold. Searching for a
shape in the blackness she could mould, form, into meaning.
Seeing nothing
on the outside, her eyes turned inward. She tried to create an idea of
her surroundings in her mind. All she had was herself; her name - Sally
Moore; and her knowledge that all her previous nightmares did -
eventually - end.
She was still;
the hands of fluttering uncertainty had fallen to her sides. She had
only shape in the blackness. She only had intensities of darkness
suddenly brought into existence as her body met them.
She waited,
knowing that - in a sudden realisation - that her next step could be
one to send her endlessly falling, falling until she was stopped,
awoken by her alarm's insistent ringing.
"But this,"
she said out loud, shocked to hear her own voice and how loud it
seemed. "This is no dream."
How she knew
it was not a dream was not that clear to her. She could feel soreness
on both her shins that she knew would become bruises. It came from
where she had bumped into the strange unidentifiable objects that
seemed to fill the... the... whatever it was… the space she had
been trying to move through.
She could feel
the air, but no breeze or draught as such, on her naked skin. There was
a vaguely tight uncomfortable feeling around her wrists and ankles
where she had traced patterns that could be rope burns.
Suddenly, she
was crouched, huddled and blinking behind upraised arms. Sharp tears
stung her eyes as everything became painfully bright and light.
Slowly, she
uncurled herself, trying to blink her eyes open. But still they refused
the brightness. She had to look down, away. Her head kept hidden behind
the crook of her arm.
Almost
standing she became aware of sound; the sound of shoes on concrete. Her
awareness of her own nudity, her own vulnerability, seemed to spread up
her body from her bare feet where she stood on the rough dusty
concrete. She felt a kind of numbing coldness that made her shiver and
hug herself.
Her eyes still
refused the light and her head remained bowed. She knew she gave the
impression of surrender, of defeat. She wanted to stand straight,
strong, confident. But the cold, the harsh light, the fear, they all
held her in the posture of acquiescence. She knew she was beaten,
beaten before she even had a chance of fighting back.
Eventually,
she could look up. The lights were bright, pointing right at her, at
her nudity, like an accusing finger. Almost at the level of instinct,
she felt her hands needing to cover her body, her breasts, her pubis.
She had to fight hard against her own body to keep her traitorous hands
by her sides and to pull her body up from a posture of defeat. She
clenched her fists, hard, tight, down by her sides. She could feel her
sharp nails digging into her palms. She wanted the justification of her
own blood.
The pain in
her palms awoke her anger. She was angry with herself for getting into
this situation. She should have known better, expected this, prepared
for it created strategies to avoid it, and if not that, to cope with it.
She felt a
presence behind the bright light. She forced herself to relax.
"Who… who's… the… there," she said, annoyed that
it came out weak and stuttering, almost a whisper. Even she could hear
the weakness, the uncertainty, in her voice.
She stood up
straighter, her feet a few inches apart. She clasped her hands behind
her back, trying to relax into the posture she had taken.
"Come on
then," she said, projecting her voice so that it echoed into the
darkness. "I'm ready. I'm waiting."
There was
silence, except for a faint sound, like water dripping onto concrete,
somewhere off to her left. She was sure she could hear a slight
electronic buzzing from the powerful lights too.
"Are you
ready, Sally? Are you sure?" The voice was calm, cold, mocking.
Two loud
footsteps and just a pair of black boots appeared out of the shadows. A
calculated effect. Sally had to stop herself from smiling.
"Come on," she
said. "That sort of thing isn't going to work. You ought to know better
than that."
"Ah," the
voice said. "But, my dear Sally, I do know better than that." The boots
merged back into the shadows with the same two footsteps.
Sally took a
step forward, towards the lights.
"Wait!" The
voice was loud, echoing. "Do not step out of the light. That would be
against the rules."
"Oh, yes?"
Sally smiled. "And, just - may I ask - whose rules are they?" She
smiled sweetly.
"Your rules,
of course."
"Then what is
there to stop me from breaking my own rules?"
"Nothing, of
course. Except… except your own sense of the purpose of all
this. The situation is yours. The rules are yours. Stepping beyond the
rules is up to you, of course. But what is the point of that? What can
you learn if you negate the whole experiment, the whole experience?"
"But doesn't
the whole idea of rules, of formality go against the very nature of the
reason why we are here?"
"I don't know,
does it?"
"Of course it
does.” She was silent for a moment. “Anyway, we've lost it
now. It was… those boots - what a cliché. After
that… well." She sighed and shrugged. "Could you throw me my
clothes? Oh, and turn these bloody lights off, I'm getting a headache."
She rubbed at the marks on her wrists, smearing the make-up, ruining
the effect of rope burns. She wiped the smeared cosmetics from her
wrists with the corner of her shirt and then shrugged it on.
With the
powerful lights off, and the normal lighting turned back on, the
warehouse seemed to have lost its air of menace. Sally looked around
her. It just looked dull, dowdy and exactly like what it was - an
abandoned warehouse. All except for the one corner, which was bright
and clean where the computers hummed and the technicians sat, waiting
for her. She picked up her white coat, slipped it on, and picked up her
clipboard from where she had left it on a broken office chair. She
strode across to the technical area.
"Right," she
said. "Any thoughts?" She heard a whisper to her left and turned
sharply. "What was that, Michael? Speak up a bit."
"N…
nothing." Michael blushed and bowed down behind his computer screen.
"He said
you've got a beautiful body."
Sally smiled
thinly. "Thank you Emma. I'm sure Michael will thank you for sharing
that with us." She put her clipboard down on top of a nearby monitor.
"Michael?
Michael!"
Michael got
slowly to his feet "Ye… Yes… Mi... Ma'a…
Sa…." He blushed again.
"Thank
you… for the compliment." Sally smiled. "But did it work?"
Michael
blushed and sat down again. "Yes. Like I said last time, by mapping
your b…body movements from the video and the sensors into the
program we can get a much more re…realistic illusion of a real
person. It looses all the a… angularity." Michael smiled. "Our
heroine no longer has a rectangular bum."
"Great, Mike.
Well done." Sally smiled at him and he blushed again.
"I think
you're in there, Mike," Rod called from the back of the room. "Mikey's
got a girl friend. Mikey's got a girl friend."
Michael turned
swiftly on his swivel chair. "Shu… shut up!" He threw a ruler at
Rod who ducked then stuck his tongue out at Michael.
"Settle down.
Settle down." Sally said. "You lot are worse than a bunch of children.
So… so… how did it go?"
There was a
muttering of positive noises as everyone nodded their heads
enthusiastically.
"Yes, well."
Sally said. She sat on a desk. She saw her skirt had ridden up; she
smiled at her automatic reflex as she pulled the hem back over her
thighs. But, she said to herself, everyone here has just seen
everything you've got, you silly cow. "I was really inside it, really
there. That is… until those boots."
"Y…
yes." Michael taped a few buttons on his keyboard. "Look." He pointed
up to the big screen that took up most of the wall behind the technical
area.
At first, it
just looked black, empty, but then Sally thought she could detect
something. Then she saw it, slightly paler than the rest of the screen,
a human body - her body - moving through the darkness.
"I think it
needs something," Emma said quietly. "A light, a torch, a flare,
something like that."
"Y…yes,"
Michael's head was nodding rapidly. "Maybe pitch
d…d…darkness at a later stage in the game. But, make it
too hard in the beginning and everyone will just give up. I can't see
where to go, what to do. I can't even really tell that I'm
b…bumping into things. There is no feedback. Even when I map in
your sensory inputs from the brain wave scanner all I get is the
feeling of panic, fear and so on, but no real sense of why I'm feeling
that way. To make it work in the darkness we are going to have to get
some kind of physical sensation in there."
Sally thought
about being in that darkness, the… the thickness of it covering
her body like a blanket, the total disorientation, the loss of any
sense of a world, the fear that the next step could lead to falling
forever.
"No," John
said, dropping his pen onto his desk and swivelling his chair to face
Michael. "I've told you before that sort of thing will push the project
way over budget. Even this brain wave scanner interface thing….
I had to work my bollocks off to get the board even to consider the
experiment. Actually incorporating all the emotional data into the game
itself… well, that is… I'll be honest pretty unlikely at
the moment."
"Oh, shit."
Michael buried his face in the palms of his hands.
"Sorry Mike,"
John said. "But you know… if it was up to me… and I'll
keep pushing for it, for you. You know that don't you?"
"Y…yes
John, thanks. Thanks for your support. I ought to have realised,
but…." Michael looked up at John. "One day, eh? Maybe?
“One
day. Yes.” John smiled and nodded his agreement. "Sally?"
John was
looking at her. Everyone was looking at her. "No. I want the start in
darkness. Just think about it, she starts with nothing, not even a
world," Sally said eventually.
"But will they
keep playing?" Emma shrugged. "I don't know."
"Oh yes they
will," Rod's voice was loud in its certainty. "Who plays all these
bloody games we make - teenage boys, that's who. Promise them that they
are going to see a naked woman as soon as they find the torch, candle,
box of flares or whatever and I can guarantee that ninety-five per-cent
of them will stay up all bloody night if necessary."
"That was
another point I was going to raise," John said. "Heaven knows I'm no
prude, but…."
"But what?"
Rod said. "You don't like the idea of all those teenage sad-cases
getting all manner of pervy thoughts about your wife, our own dear
Sally here?"
"No,
I…." John looked around, at Sally, at Emma and back to Sally.
"Or, is it
that you like the idea," Rod grinned at John.
"You little
bas…." John stood up and headed towards Rod, vaulting over one
of the desks. Rod sat, still smiling at John, waiting.
"John!" Sally
yelled. "Stop."
John stopped
and stood; his shoulders slumped and head bowed.
"That's it,"
Rod whispered. "Do exactly what little wifey tells you. Perhaps that's
why she wants all those teenagers lusting after her, is that what gets
you all hot and bothered? What's the matter, are you leaving her short,
is she starting to look elsewh…."
"Rod! You shut
up too," Sally's voice echoed around the silence of the warehouse. "I'd
expect an apology. But you'd have to be a real man to do that."
"Yes," Emma
said, standing up and deliberately moving her chair further away from
Rod's. "And I don't think a real man would keep slipping off to the bog
with those print-offs of Sally in the nude hidden under his shirt
either."
"That's a
lie!" Rod stood and pointed down at Emma. "You should apologise to me."
Emma just
smiled and tapped a button on her keyboard. "These days it seems there
are web-cams, spy-cams and mini-cams everywhere, doesn’t it?
Here's one that just happened to end up in the men's toilets."
Everyone
turned to look at the big screen. The camera was at a high angle - but
it was obviously Rod walking into shot, locking the cubicle door and
easing some photographs of Sally from under his shirt. Sally was
stunned, seeing herself in the pictures - high definition prints of her
walking around the set stark naked. She shuddered as she saw the image
of Rod dropping his trousers in the cubicle.
"Obviously Rod
was a name his parents hoped he'd grow into," Emma said. "They must
have been so disappointed. I've seen bigger ones on my brother's pet
hamsters."
"You sneaky,
nosy little bitch!" Rod screamed at Emma, standing up. His chair tipped
backwards and clattered on the hard floor. He stared at Jon, then
Sally. "Are you going to let her get away with this?"
There was no
answer. The only sound was the muted heavy breathing coming from the
wall-mounted speakers on either side of the big screen. Rod turned and
looked up at the giant image of himself on the screen.
"Right. That's
it! I quit." He strode towards the door.
"Rod? Rod
please!" Sally's voice was loud, strong, echoing in the large room.
Rod turned,
looking hopefully at Sally. "What?"
"Don't slam
the door on your way out."
"Cow. I never
fancied you anyway," Rod said, as his image on the screen seemed to
prove the exact opposite. The door slammed as the Rod on the screen
sighed and ejaculated over the pictures of Sally. Emma tapped at her
keyboard and the image faded to blackness.
"Emma," Sally
said. "Is there a good reason why you installed one of you mini-cameras
in the men's toilets?"
"Yes," John
said. "I told her to. Someone was smoking dope in there. I thought it
was probably Rod, but I wanted proof. I never expected that though."
Sally had a
mental image of the pictures held in Rod's hand as his other
hand…. She shuddered and wrapped her lab coat tight around
herself.
"Second
thoughts?" Emma said.
Sally nodded.
"I never liked
this 'nude' idea anyway," John said. "Whose idea was it?"
"Guess,"
Michael said.
"Oh, don't
tell me. Mister wrist-action?"
"Yes, I think
it was. One of the first brainstorming sessions. That late-night one
where we were all pissed." Michael said.
"Come to think
of it, you didn't object to us smoking dope that night," Emma said. "In
fact, if I remember, you were rolling most of the spliffs."
"That was
different," John replied. "It wasn't company time, or company premises.
Personally, I couldn't give a damn - as you say I like a smoke myself.
But if one of the company high-ups - or their flunkies - take it into
their heads to actually venture down her to see what it is we actually
do to pay their salaries… well."
"You don't
think… all that time, effort… all the late nights he put
in. You don't think he did… all that, just to see me in the
buff, do you?" Sally looked from John to Emma to Michael.
"Me…men
can do strange things when they are obsessed," Michael lined up the
pens on his desk parallel to his keyboard. "I know, from personal
experience."
Everyone
expected Michael to continue, but he was silent. The silence grew. John
coughed and the others turned towards him.
"So…
shall we drop this nudity thing then?" John looked around.
Emma nodded.
Michael nodded. Sally shook her head.
"Why not?"
Emma said. "Don't you… you know… as a woman."
“Partly…
yes… and no," Sally said. "But I'm tired. Shall we call it a
day?"
"That's a good
idea," John said. "We'll discuss all of this. Everything… in the
morning." He headed towards the door, shrugging on his coat. He turned
to Sally. "I'll get the car, bring it around."
Sally nodded
without turning to face him as she gathered some papers from her desk.
"Okay."
"Aren't you
worried," Emma said quietly. "About the effect that this sort of stuff
can have? Especially now, with things like that brain wave interface
thing of Michael’s taking emotions from real people's heads?"
"Yes. Yes I
am," Sally said. "But not so much thing we do - games and such-like. I
wonder what less… benign forces will do with the technology.
That scares me. Some teenager beating his meat because he caught a
glimpse of my bush - well, that's no big deal."
"Are you
sure?" Emma said. "I saw your face when you were watching Rod come all
over those pictures of you. You weren't so cool, so relaxed then."
Sally let the
papers drop back on to her desk. "You want me to zip up, be like some
Muslim woman, only my eyes showing?"
"No. Don't be
ridiculous. Because I don't really like one thing doesn't mean I want
the exact opposite. I just think we may be underestimating the power of
the technology."
"You know
what?" Sally said, looking up at Emma.
"What?"
"For once I
agree with you. We do underestimate the power of the technology. Do you
know why?"
Emma looked
puzzled. "Why?"
"Because that
is what we do. We are human. Goodnight.”
END
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